{"id":712,"date":"2018-06-29T11:10:58","date_gmt":"2018-06-29T11:10:58","guid":{"rendered":"https:\/\/hannahtilson.com\/?page_id=712"},"modified":"2025-11-10T08:03:34","modified_gmt":"2025-11-10T08:03:34","slug":"cv","status":"publish","type":"page","link":"https:\/\/hannahtilson.com\/?page_id=712","title":{"rendered":"About"},"content":{"rendered":"\n
Hannah Tilson b.1995, London<\/em><\/strong> <\/h6>\n\n\n\n
@hannahtilson64<\/a><\/h6>\n\n\n\n

Please get in touch via email here: hannah.tilson64@gmail.com<\/a><\/p>\n\n\n\n

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Forthcoming
Woolwich Contemporary Print Fair, London <\/p>\n\n\n\n

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Education\/Residencies<\/strong><\/p>\n\n\n\n

Postgraduate Drawing Year at the Royal Drawing School,<\/strong> London, 2019-2021<\/p>\n\n\n\n

BA (Hons) Fine Art Painting, Slade School of Fine Art,<\/strong> London, 2014-2018<\/p>\n\n\n\n

Exchange at the New York Studio School, <\/strong>New York, 2016<\/p>\n\n\n\n

Foundation, Central Saint Martins,<\/strong> London, 2013-2014<\/p>\n\n\n\n

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Residency at Palazzo Monti <\/strong>– September 2022 <\/p>\n\n\n\n

Residency at Plop, London – June 2024<\/strong> <\/p>\n\n\n\n

Residency at Grafik Werkstatt Traklhaus, Salzburg – April 2025<\/p>\n\n\n\n

Teaching residency at Summer Academy, Salzburg – August 2022, August 2023, August 2024, August 2025<\/p>\n\n\n\n

2 paintings acquired for a museum collection<\/strong> in Kortrijk, Belgium<\/p>\n\n\n\n

Shortlisted for the ACS Studio Prize, 2023<\/strong><\/p>\n\n\n\n

Longlisted for the 2021 Ruth Borchard Self Portrait Prize<\/strong><\/p>\n\n\n\n

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Performing Psychogeographical Tessellation – Laurie Barron<\/a><\/p>\n\n\n\n

Patterns of the Picaresque – Matthew Holman<\/a><\/p>\n\n\n\n

Razzle Dazzle ‘Em – Sammi Gale<\/a><\/p>\n\n\n\n

It’s a date – Alberta Romano <\/a><\/p>\n\n\n\n

Elephant Magazine – Emily Steer<\/a><\/p>\n\n\n\n

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Selected Exhibitions:<\/span><\/strong><\/p>\n\n\n\n

202<\/strong>5 <\/p>\n\n\n\n

Staged Surfaces, Solo at Cedric Bardawil, London<\/p>\n\n\n\n

Great Ormond Street Charity Auction, Christies, London <\/p>\n\n\n\n

Curator of Art on a Postcard’s International Women’s Day Auction <\/p>\n\n\n\n

Bridge-Br\u00fccke, Traklhaus, Salzburg<\/p>\n\n\n\n

London Original Print Fair, Somerset House, London <\/p>\n\n\n\n

Artistic Noise Charity Auction, Kasmin Gallery, New York<\/p>\n\n\n\n

202<\/strong>4<\/p>\n\n\n\n

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Whitechapel Gallery Art Icon 2024, via Phillips <\/p>\n\n\n\n

Tessellations, Cedric Bardawil, London<\/p>\n\n\n\n

Patterns of Intimacy – MINT Gallery, Munich <\/p>\n\n\n\n

London Original Print Fair (Advanced Graphics London stand), Somerset House<\/p>\n\n\n\n

Drawn Together, Royal Drawing School Summer Exhibition, London <\/p>\n\n\n\n

Woolwich Contemporary print fair, the Binder of Women and Advanced Graphics London<\/p>\n\n\n\n

Art on a Postcard for International Women’s Day <\/p>\n\n\n\n

Fierce Form, Baert Gallery, ArtMegaster, Los Angeles<\/p>\n\n\n\n

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2023<\/p>\n\n\n\n

Soft Cut<\/strong> (solo exhibition), Cedric Bardawil, London <\/p>\n\n\n\n

Al Dente: A Feast for the Senses – Berntson Bhattacharjee – curated by Edoardo Monti, London<\/p>\n\n\n\n

Phantom Brush, <\/strong><\/strong>A Plus A Gallery, Venice – curated by Edoardo Monti <\/p>\n\n\n\n

Well Worn<\/strong><\/em> – Set Ealing. 105-113 St James House Broadway, London W13 9BE <\/strong><\/p>\n\n\n\n

Cure3, <\/strong>Bonhams, London <\/p>\n\n\n\n

London Original Print Fair<\/strong>, Advanced Graphics London, Somerset House, London<\/p>\n\n\n\n

London Art Fair,<\/strong> Advanced Graphics London Stand 14, Business Design Centre, London <\/p>\n\n\n\n

A-Z Box of Friends and Family, Marlborough Gallery, London <\/p>\n\n\n\n

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2022<\/strong><\/p>\n\n\n\n

A Flash of Blue<\/strong>, Cedric Bardawil, Soho<\/p>\n\n\n\n

The Binder of Women<\/strong> – The Arts Club – London<\/p>\n\n\n\n

London Original Print Fair<\/strong>, Somerset House <\/p>\n\n\n\n

One Size Fits All<\/strong>, Badr El Jundi, Madrid<\/p>\n\n\n\n

The Amber Room<\/strong>, Reference Point – 180 Strand<\/p>\n\n\n\n

The London Art Fair<\/strong> – Advanced Graphics, Business Design Centre<\/p>\n\n\n\n

DREAM BABY DREAM<\/strong>, The Fitzrovia Gallery<\/p>\n\n\n\n

Blink and you’ll miss it<\/strong> , SafeHouse 1 <\/p>\n\n\n\n

The Amber Room<\/strong>, The Round House<\/p>\n\n\n\n

2021<\/strong><\/p>\n\n\n\n

Best of the Drawing Year, <\/strong>Christies, London<\/p>\n\n\n\n

Swoosh<\/strong><\/em>, <\/em><\/strong>(Solo Exhibition), Well Projects, Margate<\/p>\n\n\n\n

Small is Beautiful XXXIX, <\/strong>Flowers Gallery (Cork Street), London<\/p>\n\n\n\n

Salvaje Y Dulce, <\/strong>Badr El Jundi Gallery, Spain<\/p>\n\n\n\n

Ruth Borchard Self Portrait Prize,<\/strong> Online, Artsy<\/p>\n\n\n\n

ArtUK Auction,<\/strong> The Auction Collective<\/p>\n\n\n\n

With Love, II, <\/strong>Paint Talk, online<\/p>\n\n\n\n

Original Paper Works,<\/strong> Online<\/p>\n\n\n\n

The Drawing Year End of Year Exhibition, <\/strong>Royal Drawing School, Shoreditch<\/p>\n\n\n\n

Pacific Breeze II<\/strong> , White Conduit Projects, London<\/p>\n\n\n\n

Open Studios Show, <\/strong>Royal Drawing School, London <\/p>\n\n\n\n

The Drawing Room<\/strong>, Berntson Bhattacharjee<\/p>\n\n\n\n

Small Pleasures<\/strong>, Allmouth Gallery<\/p>\n\n\n\n

Berntson Bhattacharjee x Women’s Aid Charity Auction<\/strong>, auction net, March, Online Auction <\/p>\n\n\n\n

Art on a Postcard for International Women’s Day<\/strong>, Art on a Postcard, March, Online Auction<\/p>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

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Cure3<\/strong>, Bonhams, 5th-8th September, London<\/p>\n\n\n\n

The London Art Fair<\/strong> – Advanced Graphics, Business Design Centre, London<\/p>\n\n\n\n

The Amber Room<\/strong> 2<\/strong> curated by Rosie Reed, Notting Hill, London<\/p>\n\n\n\n

In Response, <\/strong>The Viewing Room, London<\/p>\n\n\n\n

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2019<\/strong><\/p>\n\n\n\n

Royal Academy Summer Exhibition<\/strong>, Royal Academy of Arts, London<\/p>\n\n\n\n

Guts Gallery Opening Exhibition<\/strong>, Guts Gallery, London<\/p>\n\n\n\n

18\/11\/1<\/strong>, PMQ, Hong Kong<\/p>\n\n\n\n

Voi rubate del tempo alla fretta a noi il mare ci impone lentezza<\/strong>, Castro Projects, Ansedonia, Rome, Italy<\/p>\n\n\n\n

The Amber Room<\/strong> curated by Rosie Reed, Notting Hill, London<\/p>\n\n\n\n

Time Cannibal<\/strong>, Brockley Gardens, London<\/p>\n\n\n\n

Paperweight<\/strong>, Late Works, Vardaxoglu, Mallord’s, London<\/p>\n\n\n\n

Fresh Air, Hot Sauce<\/strong>, Eccleston Place, London<\/p>\n\n\n\n

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2018<\/strong><\/p>\n\n\n\n

Paper Cuts<\/strong>, The Saatchi Gallery, London<\/p>\n\n\n\n

The Lotus Eaters, Aindrea Contemporary,<\/strong> London<\/p>\n\n\n\n

Oh SHE does like to be beside the Seeside<\/strong>, Shelf London, Spanish City<\/p>\n\n\n\n

Gift Table<\/strong>, Exhibition Laboratory, Helsinki<\/p>\n\n\n\n

Bridge<\/strong>, Izo Gallery, Moscow<\/p>\n\n\n\n

BA Degree Show<\/strong>, Slade School of Fine Art, London<\/p>\n\n\n\n

Hot Milk<\/strong>, Post Institute, London<\/p>\n\n\n\n

Art on a Postcard<\/strong>, The Other Art Fair, London<\/p>\n\n\n\n

Gift Shop<\/strong>, Exmouth Market, London<\/p>\n\n\n\n

The Pink Panther Show<\/strong>, Gallery 46, London<\/p>\n\n\n\n

2017<\/strong><\/p>\n\n\n\n

Tongue and Chic<\/strong>, Peckham Pelican, London<\/p>\n\n\n\n

From Cornucopia<\/strong>, Centre for Recent Drawing, London<\/p>\n\n\n\n

2016 <\/strong><\/p>\n\n\n\n

Art is The Highest Form of Hope<\/strong>, New York<\/p>\n\n\n\n

Topless Palaces, New York<\/p>\n\n\n\n

Hannah Tilson and Marco Palli<\/strong>, New York<\/p>\n\n\n\n

Legumes<\/strong>, 4 Malden Road, London<\/p>\n\n\n\n

Press<\/strong><\/p>\n\n\n\n

2024 <\/p>\n\n\n\n

https:\/\/fadmagazine.com\/2024\/02\/08\/art-megastar-presents-group-exhibition-fierce-form-coinciding-with-frieze-la\/<\/a><\/p>\n\n\n\n

https:\/\/creativitys.uk\/fierce-form-a-group-exhibition-of-emerging-european-artists-in-la\/<\/a><\/p>\n\n\n\n

202<\/strong>3 <\/p>\n\n\n\n

https:\/\/fadmagazine.com\/2023\/10\/15\/the-top-5-art-exhibitions-to-see-after-frieze-week\/<\/a><\/p>\n\n\n\n

https:\/\/www.she-curates.com\/interviews\/artists\/hannah-tilson\/<\/a><\/p>\n\n\n\n

STIRpad, Grandfather clock to fur sculptures: intriguing exhibitions in March and April, 7th March<\/a><\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

Architectural Digest Spain, December<\/p>\n\n\n\n

Artuu Italy, Phantom Brush, 12th December <\/p>\n\n\n\n

London Art Roundup, Online, 21 November<\/a><\/p>\n\n\n\n

Art on a Postcard, Inside the Artist’s Studio, 23rd February <\/p>\n\n\n\n

Mark Westall, 10 Artworks to see at the 37th edition of the London Original Print Fair, FAD Magazine, 23rd May<\/a><\/p>\n\n\n\n

https:\/\/www.flowersgallery.com\/content\/feature\/2138\/detail\/artworks170572\/<\/a><\/p>\n\n\n\n

Because Magazine, The Ties that Bind, 7th October<\/a><\/p>\n\n\n\n

2021<\/strong><\/p>\n\n\n\n

Royal Drawing School: Best of the Drawing Year 2019-20, Highlights, Christies, Christies.com, 22nd May<\/a><\/p>\n\n\n\n

https:\/\/www.christies.com\/exhibitions\/royal-drawing-school-best-of-drawing<\/a><\/p>\n\n\n\n

Baldock, Clara, ‘How to give it on International Womens Day’, Financial Times<\/em>, 8th March <\/a><\/p>\n\n\n\n

Khan, Tabish ‘The Top 5 online exhibitions to see right now’, FAD Magazine<\/em>, 14th March<\/p>\n\n\n\n

‘The Art of Drawing’, Berntson Bhattacharjee<\/em>, January 2021 Spotlight<\/p>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

\u201810 Emerging Artists to have on your radar\u2019, Art She Says, <\/em>30th August<\/p>\n\n\n\n

\u2018Cure3 Everything you need to know\u2019, Country and Townhouse, <\/em>7th September<\/p>\n\n\n\n

Kemp, Minnie, \u2018Minnie Kemp asks: why do we collect things?, Living etc. <\/em>October<\/p>\n\n\n\n

\u2018Squaring Up: artists\u2019 cubed creations raise money for Parkinson\u2019s research\u2019 The Art Newspaper, <\/em>17th June<\/p>\n\n\n\n

‘Isolation Interview with Hannah Tilson’, Seam Agency<\/em>, September <\/p>\n\n\n\n

\u2018Cure3 Announce list of participating artists for 2020, Art Daily, <\/em>July<\/p>\n\n\n\n

\u2018Cure3 Announces Line up of top artists for 2020\u2019, Artlyst,<\/em> 2nd July<\/p>\n\n\n\n

https:\/\/cure3.co.uk\/artists\/327-hannah-tilson\/works\/204\/<\/a><\/p>\n\n\n\n

Babbs, Verity, \u2018In Response at The Viewing Room, exhibition curated by Cassandra Bowes\u2019, Art Plugged, <\/em>August<\/p>\n\n\n\n

\u2018Artwise Susie Allen and Laura Culpan Talk About Cure3 Exhibition 2020\u2019, Artlyst, <\/em>2nd September<\/p>\n\n\n\n

St. Maison Archive 002, September (publication)<\/p>\n\n\n\n

Nagapetyanta, Dina, \u2018The Best Art Exhibitions in London\u2019, Country and Townhouse, September<\/p>\n\n\n\n

Robinson, Chloe, ‘INTERVIEW WITH THIS IS THE DEEP: LONDON INDIE ROCK COLLECTIVE DAZZLES WITH A RARE SONIC LIMITLESSNESS’, Atwood Magazine<\/em>, December<\/p>\n\n\n\n

Cobby, Erin, ‘New collective This Is The Deep are full of hope, proving \u201cThe Best is Yet to Come\u201d, Line of Best Fit<\/em>, November<\/p>\n\n\n\n

‘Indie tracks of the week: Varada\/Dope Lemon\/This Is the Deep’, Santa Rosa Records<\/em>, December<\/p>\n\n\n\n

2019<\/strong><\/p>\n\n\n\n

Westall, Mark, \u2018Guts Gallery to open in London next week providing space and exposure for BAME artists, female artists, working-class artists, queer artists, and artists outside of London,\u2019 FAD Magazine, <\/em>10th May<\/p>\n\n\n\n

2018 <\/strong><\/p>\n\n\n\n

Westall, Mark, \u2018The Pink Panther Show\u2019, FAD Magazine, <\/em>10th February<\/p>\n\n\n\n

\u2018Meet Hannah Tilson\u2019, Art on a Postcard, <\/em>4th March<\/p>\n\n\n\n

Morris, Millie, \u2018Review: The Pink Panther Show at Gallery 46, The Tung Magazine,<\/em> 23rd February<\/p>\n\n\n\n

\u2018Surprises are rarely unexpected at \u2018The Pink Panther Show\u2019\u2019 FAD Magazine,<\/em> February<\/p>\n\n\n\n

\u2018Von Goetz Art is pleased to announce its upcoming show Hot Milk. The group exhibition brings together the practices of eight artists, working across painting, sculpture, ceramic and video.\u2019 Drool, <\/em>6th May<\/p>\n\n\n\n

Westall, Mark, \u2018Hot Milk is Coming in May\u2019, FAD Magazine, <\/em>May<\/p>\n\n\n\n

SWIM magazine, July (publication)<\/p>\n\n\n\n

Westall, Mark, \u2018The Lotus Eaters\u2019, FAD Magazine, <\/em>8th November     <\/p>\n","protected":false},"excerpt":{"rendered":"

Hannah Tilson b.1995, London @hannahtilson64 Please get in touch via email here: hannah.tilson64@gmail.com Forthcoming Woolwich Contemporary Print Fair, London Education\/Residencies Postgraduate Drawing Year at the Royal Drawing School, London, 2019-2021 BA (Hons) Fine Art Painting, Slade School of Fine Art, London, 2014-2018 Exchange at the New York Studio School, New York, 2016 Foundation, Central Saint… Continue reading About<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-712","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/hannahtilson.com\/index.php?rest_route=\/wp\/v2\/pages\/712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hannahtilson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hannahtilson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hannahtilson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hannahtilson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=712"}],"version-history":[{"count":306,"href":"https:\/\/hannahtilson.com\/index.php?rest_route=\/wp\/v2\/pages\/712\/revisions"}],"predecessor-version":[{"id":2024,"href":"https:\/\/hannahtilson.com\/index.php?rest_route=\/wp\/v2\/pages\/712\/revisions\/2024"}],"wp:attachment":[{"href":"https:\/\/hannahtilson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}